It took the painter Ingres 12 years to complete his portrait of Madame Moitessier (see below). “My enemy”, he called it. He had to repaint her dress three times to keep up with changes in fashion.
My Enemy
For hour after hour
While she sat in that chair
He assessed the effect
Of the light on her hair
He weighed up dimensions
Of height, depth and space
And how they informed
The contours of her face
During the series
Of preparatory sessions
Mademoiselle tried
A range of expressions
Seriously haughty
Yet somehow mysterious
Impish and naughty
With a dash of imperious
After some months
Of toil and trial
He decided to go for
The enigmatic smile
***
He dabbed and he daubed
With pigments and dyes
And slowly the painting
Materialised
Brimming with subtle
Yet pointed motifs
Later much copied
In Al Fresco’s reliefs
Two little old men
And two larger old ladies
Playing bridge on the bridge
On the ferry to Hades
In their wake rose an oyster
Seated inside, the pearl
This embodiment of
The essence of girl
A reincarnation
Of divine Aphrodite
Barely attired
In a gossamer nightie
Her youth would stay frozen
Pale and sublime
Despite the relentless
Dripping of time
Those period features
Delicately chiselled
Would never be crinkled
Or jaded or grizzled
***
They came from afar
To the unveiling party
The crème de la crème
Of French literati
Anxious to see
The masterful oeuvre
Before it was carted
Off to the Louvre
One of those present
Was Toulouse Lautrec
He wasn’t invited
He’d showed up on spec
In the midst of the throng
Stood Mademoiselle
Having just lately
Emerged from her shell
Indifferent to
The froing and toing
The sighs and the gasps
The aahing and oohing
So they asked her, please tell us
Don’t you like what you see?
She said, it really isn’t
A good one of me
So the painter went home
And opened a beer
Then cut off his ear
- The enemy of Ingres:
